Excerpt from :
An Outlandish Generosity, On Dr. Martin Shaw's Mythteller Trilogy
by Dougald Hine, Feb 10, 2026
"The environmental movement has long tended to frame things in terms of the vulnerability of the planet. This is, in an important sense, a misunderstanding of what is at stake. Yes, we are living in a time of extraordinary ecological destruction, a mass extinction, perhaps the sixth in our planet’s history. But there’s the thing: the planet has been here before. Even the rapid shift in climate we have set in motion may not be unprecedented from a geological perspective. A million years from now, the planet will almost certainly be here, alive, in some as yet unimaginable ecological configuration. This is not to excuse the epic of destruction we have unleashed, but to try to understand it better.
What is at stake is not the planet, as such, but a way of living within it that we have created as a species, parts of which go back tens of thousands of years, while other parts are barely a generation deep, though we already struggle to imagine living without them. Our sense of loss at all the shadowed beauty being driven out of existence, our guilt, our still-remaining desire to feel proud of our place as a species — all of this exists in tension with our attachment to what we know and our sense of powerlessness within the structures we have built. These forces play out within us and on a planetary scale.
Within the traditions on which he draws, (Dr. Martin) Shaw distinguishes two modes of story, the pastoral and the prophetic:
The pastoral offers a salve, an affirmation of old, shared values, a reiteration of the power of the herd. The prophetic almost always brings some conflict with it — it disarms, awakens, challenges, and deepens. It is far less to do with enchantment and much more to do with waking up.
It is this second kind of story we need right now, Shaw suggests: the kind that takes us out of who we think we are, that allows for the emergence of something new. Yet one of the characteristics of mythological thinking is that such pairings are not reduced to oppositions: instead, if we look carefully, we catch sight of the mutual dependence between seeming opposites.
The old stories most often end with a homecoming, a feast, a celebration of the union of opposites. By contrast, if we go any distance along the wild paths to which Shaw invites us, our own return to the everyday is likely to be lonelier. We come back to a reality in which a myth is something to be debunked. Our experience of the possibility of other ways of knowing is met with incomprehension or disinterest. One of the strengths of Dr. Martin Shaw's books is that they contain a great deal of experience of how to live between worlds — which is to say, between very different ways of understanding the world — without withdrawing, going crazy or burning out. That alone is worth the price of admission.
There remains, though, the larger question: what does it mean to appeal to the imagination, to the realm of fairytales, in a world of failing negotiations and melting icebergs?
One answer is that it provides a clue to the real nature of this crisis.
To understand the relationships between the inner and outer worlds that define the crisis, something like the subtlety of mythological thinking is required, its ability to dance with paradox and its openness to surprise. And perhaps, even now, there remains within the stories the capacity to make those relationships anew. For as Shaw says, that has always been the power of story: to ground us in such a way that a universe becomes a cosmos."
A Branch from the Lightning Tree and Snowy Tower are available direct from Cista Mystica Press.
Liturgies of the Wild is out now from Penguin.
You must cherish one another. You must work — we all must work — to make this world worthy of its children. |
PABLO CASALS  |
