by Andrea Kowch
An Invitation, 2019 by Andrea Kowch
"I do see myself as a storyteller on several levels," says Kowch. "Telling stories through my work is something that comes very natural to me. It’s one of the main reasons I chose to study Illustration in college."While I usually begin work on a painting with a particular thought and message in mind, there are times when I see an image in my mind’s eye first, without any sort of specific literal meaning attached at that moment."Sometimes the meaning comes to light upon its completion, when I sit down to figure out why I painted it. The concepts and imagery that often come about on their own tend to be ignited by the simplest thing: the way a curtain moves in a hot summer breeze, for instance, might create a scenario in my head. I may imagine myself in an old farmhouse, feeling that same breeze rolling in over the surrounding fields just beyond the window. The canvas is where I am able to bring all these personal, imaginative musings to life, and realise them."I loved fairy-tales as a girl, and still do. They were an escape into a romantic, mysterious, and magical world. The classic tales of Hans Christian Andersen and the Brothers Grimm were the first to charge my imagination as a child. I later discovered and fell in love with the art of Arthur Rackham and Howard Pyle, and Pyle’s written work, such as The Wonder Clock and Pepper and Salt."I’ve always been drawn to and intrigued by stories that are a bit twisted; the ones containing strange characters and a prevailing sense of impending danger. Perhaps that’s why my paintings often carry a similar feeling. There’s always an aspect of something unknown about to happen. The story is never fully revealed, it simply continues on, each painting serving as the next page or chapter."
We arrive on this planet empty handed and we will all soon leave empty handed. So then, how and in what spirit do we want to spend the time in between? |
NIMO PATEL |


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