When I was 69: homeless cats

Saturday, June 7, 2025

Sculptural animals

A Roadrunner sculpture near Las Cruces NM, near I-10. Constructed of junk, the breast is totally made of shoes.

Posted by Linda Bell of the American Southwest Group on Facebook. She told me "Olin Calk is the artist."

Detail of shoes as feathers on breast of roadrunner

The roadrunner is the official state bird of New Mexico, which explains why artist Olin Calk built a giant recycled roadrunner -- 20 feet tall and 40 feet long -- in Las Cruces in 1993. Back then it stood at the city landfill, and was made exclusively of items salvaged from it: Olin's way to call attention to what he called, "consumption, recycling, and just looking at stuff we throw away."

In early 2001, Olin stripped off the old junk, replaced it with new junk, and moved the roadrunner to a rest stop along Interstate 10, just west of the city. The roadrunner could be seen for miles, and gained a wide new audience of fans. Signs around the sculpture warned of rattlesnakes, but when we stopped by to visit people were blissfully trudging out to the big bird anyway, to pose for snapshots or examine the junk (We did, too).

By 2011 the roadrunner had deteriorated, partly from the elements, partly from grabby visitors. Olin stripped it down and brought it back to his house. It sat there for three years, waiting for the city to determine its fate. Wisely, they decided in favor of the roadrunner, and it was returned to the rest stop in June 2014. By then the landfill had closed, so Olin re-feathered it using thrift store rejects and scrap metal salvaged from the Las Cruces recycling center. It now has eyes made from Volkswagen headlights, as well as a body augmented with old sneakers, golf clubs, and plastic toys.

The roadrunner is now also perched atop a fake rock, which Olin hopes will discourage souvenir-hunters and the occasional idiots who in the past would "ride" the roadrunner. As far as we know the rattlesnakes are still there, too, so watch out.

SOURCE: Roadside America

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Bill Reid was born in 1920 in Victoria, BC. His father was an American of Scottish-German origin and his mother a Haida, born in Skidegate, and descendant of a lineage from T’anuu, Haida Gwaii.

While in his twenties, Reid spent time with his maternal grandfather, Charles Gladstone, a carver and silversmith, who was the nephew and heir of the 19th-century Haida artist, Charles Edenshaw. It was the work of these and other Haida artists that inspired Reid to build on their legacy.

Already working in Toronto as a CBC radio announcer, Reid studied European goldsmithing in Toronto before returning to British Columbia in the early 1950s. By applying these jewellery techniques to Haida art, he pushed the old forms in new directions. Later, when he became afflicted with Parkinson’s disease, he began working on a monumental scale, creating sculptures in wood and bronze with studio assistants.

Bill Reid was a pivotal force in bringing his ancestors’ visual traditions into modern forms and to a wider public. He died in 1998.

Source: Jenny Mendes Ceramics, Facebook

And another view of Raven and first man by Bill Reid. The glass above is from some military turret that was in a war.